Posts Tagged ‘digital media’

THE INFLUENCER: Does one person really make a difference?

Tuesday, September 27th, 2011

influencer

Every industry has their “experts.”  None are more dominant than in the PR world, however.  There are branding experts, social media experts, publicity experts, etc.  The list goes on and on.  They seem to be springing up at conventions, seminars and PRSA meetings across the country.  As people continue looking for the “next big thing” in their industry, companies are noticing who’s stealing the spotlight and who’s shaping opinions.

Now, the big question is, can one or even a few of these “influencers” help a company connect with the correct target audience?  Companies who hire PR firms want one thing: to tell their story, in a way that resonates, whether it’s to a niche community or global business leaders.

Traditional brand building creates attention through ads, publicity, appearances and articles.  Working with key influencers can create buzz about your client in specific circles of interest.

Which method is worth the time and money?   The best answer is a combination of both.

Traditional brand building is good for reaching the masses.  This means that you spend your money sprinkling your message over a massive group of citizens.  The good news is that this method can make a huge impact quickly.  What is the downside?  You must hope that the message gets to the one or two consumers who will buy or use your product/service, and then hopefully, they will spread the word further to their friends.

Today, it’s critical to take the next step.  An influencer could be the new game changer your organization needs.  The influencer, whether it is a small group of people or just one expert can hit your immediate target audience to penetrate any confusion created in a mass audience.  This targeted approach can get the job done that traditional brand building can’t do alone.

A good influencer not only has credibility, but has a creative spark.  They look for trends and spread the news to their wide bandwidth of followers.  People rely on these influencers for things that will be hot the next couple of years.  They are experts in building a brand and creating interest in a particular product or service.

For example, a popular social media influencer is Peter Shankman.  He is the founder of HARO (Help a Reporter Out).  His expertise is prominent through media interviews, as well as seminars across the country.  And the tech world wouldn’t have made such fantastic strides over the past decade without Apple’s Steve Jobs or Facebook’s Mark Zuckerberg.  These people see the next big thing and go after it.  This in turn builds brand identity for their company, stimulates innovation and creates real value.

No matter how a company chooses its course of action, one thing is certain; influencers should be embraced along with traditional PR tactics.  They could be the ultimate weapon in building and selling a concept, idea or even a brand.

Helping your journalists make the video leap at events

Tuesday, July 12th, 2011

video camera

The game of public relations and marketing, as we’ve suggested dozens of times, is as much about helping the media spread your word faster and better as it is simply informing journalists.

To that end, most journalists will readily take advantage of the opportunity to use video footage, whether it’s raw or processed. Video of your product in action or your representatives in an interview will make the rounds quickly on both the Web and on TV, where cable networks are desperate for the latest content.

But the reason we’re not entirely inundated with video media boils down to the cost and hassles involved. Good video takes a crew, which costs money – way more than most editors are willing or able to spend for most content.

Luckily, you can maximize the way you help your journalists in one fell swoop by providing a video crew on site at a product unveiling or demonstration. Although you’re responsible for fronting the costs of the video crew, the benefits are endless thanks to the proliferation of online media sharing. It only takes one YouTube video to take your product to an entirely new level.

Setting the scene

Once you’ve decided to hire a crew (they’re cheaper than you might think), it’s imperative that your let journalists who may or may not be attending your event know that they’ll have unfettered access to these assets. Journalists who might be on the fence about attending your event could simply need to know that they’ll come home with impressive visuals to change their minds.

Alternatively, you might want to consider simply providing journalists with an HD video camera and a tripod. This way, they can set up interviews as they see fit. You’ll have an HD camera to use for your business and you’ll save a bundle, although this situation would certainly limit the professionalism and creativity journalists often need for their audiences.

Either way, you’ll want to make the crew easy to use during the day of the event. Alert journalists both prior to the event and on the day of that they’ll be able to direct their own scenes. A sign-up list might be necessary if you have lots of demand.

If you have the resources, you can provide the journalists with some editing, but they’ll more than likely be satisfied with a USB thumb drive filled with raw footage (and this is a great opportunity to use your own branded USB thumb drive).

No hassle, more benefit

At the risk of sounding like a cheesy bank tagline, we’ll conclude with this: What better way is there to promote your product on the most heavily used and most rapidly-growing medium than to provide journalists with easy access to a video crew or video camera?

The upfront costs are low enough that, once you’ve tried video, you’ll wonder why you’ve never made the leap before.

Working with press in the field

Tuesday, July 5th, 2011

the media

We don’t always encounter members of the media in a textbook environment where we know what to expect. When pitching stories or simply answering questions on the phone, most conversations take the same path. The same is true at trade shows, where our goal as public relations professionals is to make the most of our limited face time with those who can spread the word about our product or service.

But what happens “in the field?” To be certain, “in the field” is a vague way to describe just about any situation where you might have a number of unexpected and hard-to-predict variables, even at your own event where you’re calling the shots.

If it’s your own event, you’ll want to provide journalists with the tools to do their job. Sometimes, it’s as simple as handing out pads of paper and pens. Even though most journalists carry their own, even the most seasoned reporters occasionally leave these basic tools at home. Moreover, it’s a great opportunity to hand out a branded pen or a branded pad, which will further cement your brand identity and help you convey a particular message. Most situations also require Internet capability and power outlets for laptops or phone chargers. At some events, you might even want to keep a few more common power cables on hand in case you know your crowd will need to spread a message immediately.

The facility you use might be temporary, so it’s worth considering such factors as air conditioning, heating and even wind resistance. We’ve seen events where tents literally blew over with members of the media inside. That’s not the kind of impression you were hoping to leave, was it?

Predicting the unpredictable

If you’re not responsible for the event itself and you’re unable to set up a media center, you’ll still want to look at how best to approach your audience.

Scout out the location ahead of time, even if it’s just via satellite view on Google Maps. Know what to expect so that, if necessary, you can be a tour guide of sorts. If you’re going to make representatives available for interviews, you’ll want to find a location suitable for voice recorders or video. In other words, find somewhere with limited wind and an appropriate background. Be prepared to tell your journalists where to meet, but don’t assume they know their way around.

Likewise, having suggestions on where to charge electronics or even where to catch a quick break will not only help your journalists, they’ll appreciate the help.

In other words, be prepared for the unexpected in any situation – especially in the field, where just about anything can happen.

Grab the popcorn and make a PR video that works!

Wednesday, June 29th, 2011

YouTube

Video is a marketer’s best friend now that Internet bandwidth is such that nearly anyone with an advanced mobile phone, let alone a computer, can watch a shiny, high-definition video in the comfort of their own home or while on the go (hopefully not while driving).

But just because we can make videos doesn’t mean we should simply record something with a $100 Flip camera and then post it up to YouTube. Besides the obvious lack of professionalism in producing anything that isn’t cleanly finished – even something designed to look avant-garde – your video needs to properly convey a message. In other words, you can’t simply expect to flip on a video camera, wander around your office and product, and think it’ll be all over the Web within minutes.

For starters, you’ll want to invest in someone with some video editing skills. Gaining them yourself isn’t a bad idea, but sometimes it’s best to find a partner truly skilled in your line of work.

From there, you’ll want to figure out what your video should cover and who it should reach. An outline will help you ensure you don’t miss anything, while a general idea of your intended audience will make sure you don’t miss your mark.

That’s the easy part. Now you need to put it together!

Playing filmmaker

Think of your video as a short movie. You don’t need Guy Ritchie or the late John Frankenheimer to create a masterpiece, although BMW sure thought they did about a decade ago. A pioneer in the world of online video marketing, BMW created a series of eight films produced by various directors starring Clive Owen. With a huge budget, the automaker created a new genre – the product placement-heavy online film. With the ability of social media to take something viral – to spread it across a wide audience – the possibilities are even more endless today.

What made those BMW films so successful was that they had a compelling story with great visuals and a terrific soundtrack. Like a press release, a good video tells a story – it entertains and informs. Unlike a press release, a video is considerably more resource intensive to put together.

A big budget won’t hurt, but great videos can also be done on the cheap. Rhett and Link, a pair of independent filmmakers, made a storm a few years ago when they began creating entertaining, low budget ads for small businesses. Underwritten by a consultancy, Rhett and Link travel the country creating comical ads that, while they might not always paint the prettiest picture, certainly engage audiences and build enthusiasm. They’ve been so successful that their efforts have spawned their own brand new TV show on IFC.

Your videos don’t necessarily need to follow their gritty style, but they should grasp audiences in a similar way by telling a story – like a mini-movie with a real plot. Good visuals, an appropriate soundtrack and, beyond all, an engaging storyline will ensure your success.

Otherwise, you might wind up with a Hollywood flop of your own.

False: Any PR is good PR

Tuesday, May 17th, 2011

bad-publicity

There’s a saying out there that, if we may give a long winded explanation, suggests that any time someone reads or mentions your firm’s name, it is a good thing for business.

Could anything be farther from the truth? Yes, seeing your name or your firm’s name in the media will indeed circulate buzz – sometimes lots more than you planned.

Looking to Hollywood for bad inspiration

If you’re like most Americans, you’re no doubt at least somewhat fascinated with Charlie Sheen’s plummet. A psychological and emotional mess, Sheen seems to think that simply putting himself up as a public spectacle will greatly benefit his career.

As one of the most-paid actors in the industry (at least until recently), it’s not like his career was in dire need of a boost. Although Google hits for “Charlie Sheen” have skyrocketed over the last few months, the long term repercussions for his career will be worse than anyone can imagine. Already, he has been replaced from his post on “Two and a Half Men” and the odds of him getting another contract on a meaningful TV show or movie are slim at best. His slide makes that of Lindsay Lohan look like an easily surmounted PR obstacle.

Movie stars aren’t the only ones to take this dive. Nearly anyone with a big name is susceptible – like athletes. Warren Sapp, a hard-hitting defensive tackle, was no stranger to controversy during his NFL days. But it was charges of domestic battery that saw him pulled from the NFL Network’s roster after his career had ended. The public that was once forgiving was unlikely to forget, even though the charges were later dropped.

Making it applicable to you

You don’t need to be a celebrity for this take-home lesson in public relations. Too many firms have been content with simply receiving any media coverage, even at the worst of times. To them, simply having their name in newspapers and on websites is enough to drum up sales and increase brand recognition.

Usually, it only does the latter – especially over the long run.

Drink manufacturer Phusion Projects didn’t receive very good press after accusations that its Four Loko alcoholic energy drink contained a dangerous mixture of caffeine and alcohol. Although sales skyrocketed among its target demographic immediately after some states began banning the beverage, the long term affects have been detrimental.

Phusion Projects was forced to reformulate the drink so that it no longer includes alcohol. Since then, the company has seen its development pushed into high gear as it attempts to regain rapidly slipping market share.

Don’t make the same mistakes. The best solution, of course, is to not make decisions that are likely to result in bad press. We realize that this happens unexpectedly, so that’s why we always make sure we have an emergency response plan in place to reduce the affects of negative media.

While you never want to get caught in a bad situation, you never want to make it worse.

Driving away with media drives: Part 2

Tuesday, May 3rd, 2011

test drives

Now that you’ve made your list – and checked it twice – to decide who will be at your media drive and where and when you will choose to hold it, the time has come to start thinking about what will help make the event go as easily as possible.

Begin by thinking from the perspective of a member of the media. Why would someone have traveled, either on your dime or their own, to your event? What do they plan to get out of the day? For different members of the media, it might be something unique entirely. Some will be focused on driving the car or cars you have on offer. Others instead will want to use the event as an opportunity to talk with executives, engineers and designers because they know they will be spending more time in one of your products in the future.

Time management

Unless you are catering to a very small, specific group, you’ll need to do your best to accommodate everyone’s wishes.  Among those, you need to carefully balance drive time with down time – that is, the time when your guests could interact with your team.

A general rule of thumb is that most average new cars need to be driven at least 100 miles, some of which should include driver changes. A 150 to 200-mile day would be ideal; over most roads, this would take between three and four hours not including a lunch break along the way. Roads should be varied and would depend on what your vehicle should achieve.

Conversely, some vehicles need time on a closed course – and not necessarily a race track or autocross course. If your budget allows, it’s nice to have competitive vehicles and a demonstration of something unique about your vehicle, whether it is the ability to tow or a distinct ride or handling quality that stands out compared to rivals. Securing a rival vehicle or two isn’t a challenge if you work out a borrowing fee with a local dealer.

Set aside plenty of time to schedule interviews with members of your executive, engineering and design teams. PR reps can gently engage media members into interviews that can help them write their articles or put together their videos.  An extended lunch break or a pre-dinner gathering usually works best; let the media spend some time in the car before scheduling interviews.

The little things

Along the drive portion of the event, you don’t want to lose your media members. A well-planned route map with easy-to-follow icons, maps and emergency contact numbers will help your drivers stay on track. Some maps even contain occasional historical or regional facts about the route; although rarely used in content gleaned from the trip, these little bits and pieces are an easy way to build rapport and respect.

Make sure that the cars are stocked with water and a snack or two. You can show off an audio system by including an iPod in the vehicle for use on the road (but don’t forget to remind your drivers that the iPod is in the vehicle!).

If possible, a user’s guide to the car can be included in the media drive. Most new cars come with a quick reference guide; if they are complete in time for the drive, have a few on hand in the vehicles – but be careful, since members of the media might assume that they are promotional material meant to be taken home!

In future installments, we’ll discuss other ways you can make your media drive more useful for everyone involved – including video crews.

Working an embargo to your advantage

Tuesday, March 15th, 2011

boy blog

Supplying members of the media with embargoed information – that is, press releases, photography and video clips that can’t be published until a certain date – can be both an efficient way to get your word out and a method to set the online world abuzz about your news.

Like any tactic, however, embargoes need to be planned carefully in order to maximize their effectiveness. Simply providing media with your information isn’t enough in this era of fast-paced online reporting, where a story can trend from hot to cold in a matter of minutes.

Get the timing right
The reason you set an embargo date for information, even that gleaned at a press event, is because you want to carefully orchestrate its release to complement a product launch. You might want to keep certain information private until you are ready to reveal even more. Or, more commonly, you simply want the upper hand in distributing information.

While you could be planning the embargo solely around when it benefits your internal timetable, you’ll get more traffic if you cater to the media – at least to a certain extent.

Typically, an early morning embargo helps ensure that both print and online media distribute information at about the same time. If you’re looking to spread word any way you can, this works well. But if you want your information to go viral – to make the rounds of the Internet – look for an embargo end more along the lines of early-to-midday for most of the country. Noon Eastern ensures that all four timezones in the continental United States receive the information around their peak viewing time.

But an embargo isn’t useful unless you distribute the information to the media at an appropriate time. Don’t follow the mistakes of many by sending out lengthy press releases and several gigs of photos just a few hours before the embargo breaks. Send out information several days ahead, leaving at least a weekday or two for media to get information up. Remember that many journalists are on the road or in the air, which limits the amount of time they are at their computers ready to download your information. You’re more likely to get coverage if you give media some lead time.

Scratch the media’s back by giving them plenty of notice and they’ll scratch back with plenty of coverage. It’s a two-way street.

Who’s who
An embargo doesn’t work if someone on your list publishes your information too early. Be careful making your embargo list, but don’t exclude someone online just because their site isn’t known for traffic or their newspaper has a low circulation.

These days, it takes just one well-written story to spread like wild fire across the digital spectrum thanks to sharing sources like Digg, Facebook and Twitter.

Don’t discount anyone, but don’t hesitate not to give them a second chance if they’ve treated you poorly in the past.

All the right stuff
Now that you’ve picked your embargo date and have set your list, it is essential that you send out the right information – and not too much of it. Sometimes, simply teasing your product is enough. A few small photos and some light information will start the buzz – but only if your announcement is big enough to merit such.

Generally, sending “too many” photos is a good thing. Outlets can pick and choose, which will make them happier as it limits image overlap. But too much information is often hard to digest, as it is with any non-embargoed release.

As for distributing your information, email is generally the best if you can keep the packet below 500 kb. For anything larger, consider setting up a private FTP or a login-required website.

And don’t forget to mark the expiration of the embargo!

Spotting the trends: Has trend-watching become the trend of the moment?

Wednesday, March 2nd, 2011

cartoon

By the time you read this, it’s already too late.

No, you don’t need to hurry out to try to save the planet from disaster (although you might want to consider recycling a little more and maybe conserving fuel).

We’re talking about trends – what’s trendy at the moment, according to journalists and publications, is probably on its way out. This isn’t a backhanded slap at our friends in the media, it’s simply an acknowledgement about how fast trends move today in this increasingly rapid-paced global economy.

And it’s not just trends themselves, it’s the word trend. Tracking trends is a lifeblood for millions of Americans involved in market research, product planning and, of course, marketing and public relations. But by the time a trend makes its way into the media, you’ve probably already seen examples of it on every corner in the country’s trendiest cities, let alone its sleepiest burbs.

We’ve obsessed over trends forever; from following the fashion styles set by royalty to seeing what’s hot on Twitter or Facebook, consumers the world over are positively trend-manic. With the power of social media and Internet journalism, staying trend-setting is even harder than ever. No trend-leader can emerge long enough to stay on top, so the masses follow whatever works to gain popularity the fastest.

Twitter users can stay on top of what’s trending every minute of every day by checking out the moment’s top tweets, while Google keeps tabs on what people are searching.

This matters to us because we can help manipulate trends, even if their staying power is only for a few minutes. Last fall, Ford simultaneously unveiled its 2011 Ford Explorer SUV at events held in major cities across the country – Los Angeles, San Francisco, Denver, Dallas, Atlanta, Miami, Chicago, Detroit, New York and Washington, D.C.

By inviting some of the most-connected journalists, Tweeters, social media gurus and even the old faithful print scribes, Ford helped make “2011 Ford Explorer” the most-searched term on Google all day. That consumer interest translated into sales just a few months later – the redesigned Explorer has seen demand more than triple over the last few months compared to the outgoing model. While a vastly improved product helped keep the nameplate more relevant to the marketplace as a whole, Ford’s dynamic debut made the Explorer a trendy item months before it officially went on sale.

Perhaps the trendiest trend at the moment is simply watching what’s trendy. It’s people watching in a digital world.

Tablet wars: Look at the full picture

Monday, December 27th, 2010

betamax blog photo

Of all the fierce battles in history, few have been as decisive as when Sony’s Betamax took on JVC’s VHS tapes. Sure, the battle was hardly bloody – although some conference room discussions in Japan might have made Custer’s tent at Little Bighorn positively tranquil – but the outcome saw the VHS victor totally obliterate its well-heeled, generally superior competitor with one fell swoop.

It seems that history is repeating itself as we watch Apple’s iPad take on an increasingly large number of rivals touting the Android operating system. The comparisons are easy, but their eventual outcome is our focal point and our take-home lesson. As marketers attempt to reach increasingly wide audiences over a vast array of media, tablets could play a massive role in the near future.

VHS won out over Betamax not because it was better – most historians and technophiles will agree that Sony’s system was vastly more advanced – but because JVC was willing to share its technology.

Sony assumed that the video recording market would remain relatively small and the company assumed that domination would come easy. The Japanese giant had created a fast, high resolution recording system that it wasn’t eager to share with anyone else.

Meanwhile, JVC developed the VHS tape, which wasn’t as sophisticated, but could be produced at a marginally lower cost. Forward-thinking JVC was also much smaller than Sony and it realized that, in order to be successful, it would need some outside help. JVC licensed its VHS technology to nearly every major electronics manufacturer, which meant that VHS recorders quickly became readily available – at competition-driven low prices.

Sony assumed that its high-end, high-quality Betamax would win, but consumers elected to go after the cheaper offering, even as they acknowledged that it was inferior.

Parallels to Apple’s iPad are obvious. Apple has made its operating system open source – meaning that anyone capable can develop applications – but it won’t provide a license to other electronics manufacturers. Apple wants to control hardware, just like Sony did. Android – purchased by Google in 2005 – has been distributed to licensees since 2007. As a result, it’s hard not to find an Android-powered device at any electronics store (other than at an Apple Store, of course).

That’s not to say that the iPad isn’t a great device. It is highly capable and its integration with Apple’s other products makes it truly impressive. But the cheapest iPad will set buyers back $500, about the price of three low-end Android-powered tablets.

Without a time-traveling app, we can’t tell who will win this battle. But as we continue to develop applications and look for unique ways to reach consumers, we can’t ignore the potential of these two devices.

Don’t be the electronics store that stocked up on Betamax tapes only to be stuck with dusty, unsold merchandise years later.

Making the news: A look into online reporting

Friday, November 12th, 2010

OnlinePanel

To understand the enemy, you must think like the enemy – so the military strategy goes. True, journalists are certainly not enemies, so the comparison isn’t quite valid. But the point remains: to truly understand how a journalist reports the news and understands what you’re trying to tell them, you must look at the process from their angle.

Online journalism might look like traditional print, radio or television media, but it’s vastly different. It benefits from the reader’s ability to quickly verify facts. Cable news viewers can delve further into a subject after seeing a report, but that usually requires a move from the couch to the computer – even an iPad isn’t motivation enough. When a reader sees something reported on an online news site, a blog or even a social media outlet, it doesn’t take much more than a visit to Google to dig deeper.

Readers know everything. And anything they don’t already know, they will within 10 minutes, even if their facts might be stretched to fit a point or an agenda.

Dissecting the media

Let’s look at a few ways an entry or an article might make its way online, starting with the simplest approach – social media.

A few words are all it takes for an amateur reporter to disseminate fact (or fiction). In this case, it’s usually based on something they’ve read elsewhere – a press release, a company website or an article. These quick reports engage their followers, who might spread the word digitally or verbally. No, a social media user isn’t a journalist per se, but they’re saying something to an audience that, in one way or another, views them as authoritative. They listen. They repeat.

A step up from this is the blogger. Closely related to a social media user, a blogger is, in many ways, simply a more verbose Tweeter or Facebooker. Yes, blogs came well before either of those sites, but their worlds are closely intertwined.

For example, a connected blogger gathers information from Twitter, relying as much on official accounts as word-of-mouth Tweets from nearly anyone. Sometimes it’s as simple as reporting on an announcement, while other times an inconveniently leaked message to an exposed situation. They’re opposite ends, but they represent the different ways a blogger might work. To get more connected to this unique reporting manner, follow a celebrity’s Tweets for the day and then check out one of the countless celebrity-tracking blogs. Suddenly, you’re a few words away from being a blogger.

What separates most bloggers from most reporters is the level of research put into crafting a story. Broadly speaking, most bloggers are looking to get a story up quickly – they’ll check their sources later and post an update. It’s modern sensationalism, but this ever-faster-moving world can’t be satisfied any other way.

Traditional reporting is hardly dead, although bloggers might suggest otherwise. Websites affiliated with print outlets follow their parent groups’ standards, even though they usually have a reasonably well-researched blog section written by traditional reporters.

These blog sections offer up anything from obscure news stories to short bits that, in the eyes of the editor, don’t merit an in-depth story.

A well-researched piece will have the writer conducting his business in much the same way as a print reporter might. Interviews are required and citing more than one source to verify information or opinion is a given.

The comment paradigm

Instant, visible feedback is almost always the way the online world moves. Few active websites don’t have a section for readers to share their comments. Although most legitimate sites carefully monitor comments, few censor anything other than spam and profanity.

Journalists get instant feedback from their readers, which allows the ability to further craft a piece. Do readers point out incorrect information? A writer can edit the story since it is not set in stone. A new development? The public almost always finds out first, so a reporter often learns as much from the comments as from an official source.

Of course, a good reporter then verifies the information learned – or at least verifies the source. Occasionally, the reporter will directly engage readers to solicit more information or opinions. Sometimes this happens behind the scenes via email, while often a reporter will add to the comments, carefully ensuring that he or she does not reveal a bias.

Moreover, comment sections give readers the opportunity to voice their opinions, which are then read by other readers. While readers might not assign a high level of credibility to these numerous opinions, they certainly pay attention to them.

Taking advantage

Disseminating your information in a fast and efficient process is essential. Thorough, but concise press releases, extensive use of social media and easy availability for on-the-record conversations will ensure a positive relationship with the media.

Resist using a site’s feedback section to engage audiences. A better approach is to directly contact the reporter to discuss a false or concerning comment. Don’t expect the reporter to edit a comment, but sometimes a clarification can be made in the text of the story.

As always, establishing a rapport with the media will produce positive results.