Posts Tagged ‘marketing’

A New Year’s Resolution to stick to in 2012

Friday, January 6th, 2012

calvin-and-hobbes

As we celebrated the ball dropping on December 31 – in what some believe is the “last year” of our existence (according to the Mayan calendar) – we can’t help but look forward.  It’s human nature to envision a fresh start, a new beginning and of course keeping (or trying too) our New Year’s resolutions.

One promise that companies should put at the top of their marketing resolution “to-do” list is to stay away from 2011’s top 23 most overused words.  These words seemed to crop up like weeds in marketing and PR materials throughout the country.  Yes ladies and gentlemen, be prepared to open your dictionaries and/or thesaurus’ because we are in desperate need of diversity.

According to PR Daily’s article, there are 23 “buzzwords” you should avoid, including number one on the list, which appeared an incredible 776 times in a 24 hour time period!

  1. leading (776)
  2. solution (622)
  3. best (473)
  4. innovate / innovative / innovator (452)
  5. leader (410)
  6. top (370)
  7. unique (282)
  8. great (245)
  9. extensive (215)
  10. leading provider (153)
  11. exclusive (143)
  12. premier (136)
  13. flexible (119)
  14. award winning / winner (106)
  15. dynamic (95)
  16. fastest (70)
  17. smart (69)
  18. state of the art (65)
  19. cutting edge (54)
  20. biggest (54)
  21. easy to use (51)
  22. largest (34)
  23. real time (8)

So the next time you or a co-worker starts working on the next big press release, collateral material or on-line ad, think to yourself…do you want to be another statistic or an original?

THE INFLUENCER: Does one person really make a difference?

Tuesday, September 27th, 2011

influencer

Every industry has their “experts.”  None are more dominant than in the PR world, however.  There are branding experts, social media experts, publicity experts, etc.  The list goes on and on.  They seem to be springing up at conventions, seminars and PRSA meetings across the country.  As people continue looking for the “next big thing” in their industry, companies are noticing who’s stealing the spotlight and who’s shaping opinions.

Now, the big question is, can one or even a few of these “influencers” help a company connect with the correct target audience?  Companies who hire PR firms want one thing: to tell their story, in a way that resonates, whether it’s to a niche community or global business leaders.

Traditional brand building creates attention through ads, publicity, appearances and articles.  Working with key influencers can create buzz about your client in specific circles of interest.

Which method is worth the time and money?   The best answer is a combination of both.

Traditional brand building is good for reaching the masses.  This means that you spend your money sprinkling your message over a massive group of citizens.  The good news is that this method can make a huge impact quickly.  What is the downside?  You must hope that the message gets to the one or two consumers who will buy or use your product/service, and then hopefully, they will spread the word further to their friends.

Today, it’s critical to take the next step.  An influencer could be the new game changer your organization needs.  The influencer, whether it is a small group of people or just one expert can hit your immediate target audience to penetrate any confusion created in a mass audience.  This targeted approach can get the job done that traditional brand building can’t do alone.

A good influencer not only has credibility, but has a creative spark.  They look for trends and spread the news to their wide bandwidth of followers.  People rely on these influencers for things that will be hot the next couple of years.  They are experts in building a brand and creating interest in a particular product or service.

For example, a popular social media influencer is Peter Shankman.  He is the founder of HARO (Help a Reporter Out).  His expertise is prominent through media interviews, as well as seminars across the country.  And the tech world wouldn’t have made such fantastic strides over the past decade without Apple’s Steve Jobs or Facebook’s Mark Zuckerberg.  These people see the next big thing and go after it.  This in turn builds brand identity for their company, stimulates innovation and creates real value.

No matter how a company chooses its course of action, one thing is certain; influencers should be embraced along with traditional PR tactics.  They could be the ultimate weapon in building and selling a concept, idea or even a brand.

Grab the popcorn and make a PR video that works!

Wednesday, June 29th, 2011

YouTube

Video is a marketer’s best friend now that Internet bandwidth is such that nearly anyone with an advanced mobile phone, let alone a computer, can watch a shiny, high-definition video in the comfort of their own home or while on the go (hopefully not while driving).

But just because we can make videos doesn’t mean we should simply record something with a $100 Flip camera and then post it up to YouTube. Besides the obvious lack of professionalism in producing anything that isn’t cleanly finished – even something designed to look avant-garde – your video needs to properly convey a message. In other words, you can’t simply expect to flip on a video camera, wander around your office and product, and think it’ll be all over the Web within minutes.

For starters, you’ll want to invest in someone with some video editing skills. Gaining them yourself isn’t a bad idea, but sometimes it’s best to find a partner truly skilled in your line of work.

From there, you’ll want to figure out what your video should cover and who it should reach. An outline will help you ensure you don’t miss anything, while a general idea of your intended audience will make sure you don’t miss your mark.

That’s the easy part. Now you need to put it together!

Playing filmmaker

Think of your video as a short movie. You don’t need Guy Ritchie or the late John Frankenheimer to create a masterpiece, although BMW sure thought they did about a decade ago. A pioneer in the world of online video marketing, BMW created a series of eight films produced by various directors starring Clive Owen. With a huge budget, the automaker created a new genre – the product placement-heavy online film. With the ability of social media to take something viral – to spread it across a wide audience – the possibilities are even more endless today.

What made those BMW films so successful was that they had a compelling story with great visuals and a terrific soundtrack. Like a press release, a good video tells a story – it entertains and informs. Unlike a press release, a video is considerably more resource intensive to put together.

A big budget won’t hurt, but great videos can also be done on the cheap. Rhett and Link, a pair of independent filmmakers, made a storm a few years ago when they began creating entertaining, low budget ads for small businesses. Underwritten by a consultancy, Rhett and Link travel the country creating comical ads that, while they might not always paint the prettiest picture, certainly engage audiences and build enthusiasm. They’ve been so successful that their efforts have spawned their own brand new TV show on IFC.

Your videos don’t necessarily need to follow their gritty style, but they should grasp audiences in a similar way by telling a story – like a mini-movie with a real plot. Good visuals, an appropriate soundtrack and, beyond all, an engaging storyline will ensure your success.

Otherwise, you might wind up with a Hollywood flop of your own.

Don’t lose them: Alienating traditional media won’t do you any favors

Tuesday, April 26th, 2011

news

The best restaurants and shops evolve by both bringing in new clients and continuing to cater to their longstanding base. Look at Neiman-Marcus, for example. Despite a plethora of mall and urban stores across the nation, the fashion forward retailer will still gladly go an extra mile for its most devoted customers at its flagship store in downtown Dallas. Although all of its stores offer personal shopping, only store number one continues to serve its legions of faithful in their homes.

As media professionals, we can do the same – even if what we’re selling isn’t quite as easy to quantify as a high-end dress or suit. Over the last decade, online and, lately, social media have taken center stage. Undeniably, we need to cater heavily to these rapidly growing influential sources, but we can’t forget about our traditional outlets.

Newspapers and magazines have seen circulation drop off, but they are still trusted by millions every day – both in print and online. Research indicates that print publications still command more respect and attention from the public in their online editions than most Internet-only publications, although the gap is admittedly dwindling. As a result, traditional media are evolving in the face of potential extinction.

Evolve or die

Online versions of print publications are quickly taking new shape online and in downloadable forms. Their websites often mimic online-only sites with opinion and short news-oriented blogs, while the extra outlet offers them an additional upsell for advertisers.

Perhaps the biggest change is yet to come, however. Tablets might be making big headlines, but their heyday is still on the horizon as traditional media works to create its own formats. Wired, a tech-oriented magazine, is the undisputed tablet leader, with unique content only available for download. Its digital editions offer built-in videos and animations that go way beyond what print could ever do.

But fashion magazines are also getting into these areas in order to satiate their tech and trend-oriented readers. Some magazines provide readers with more than just news and features; they can digitally mix and match apparel items, makeup and accessories to create a look of their own – without ever visiting a closet or a store.

Don’t get lost

Forgetting or intentionally circumventing traditional outlets is an easy mistake to make. Between online media’s impressive ability to assert itself and traditional media’s often slow reaction times, losing print outlets is all too easy.

Make sure your media list doesn’t forget about the veterans. As long as they are still relevant to your product, they need to be informed and, when possible, they need to experience what you have to offer. Sometimes, you have to make cuts, which means that the veterans no longer get an invite to a product event or even simply a phone call pitch. Instead, a new website or social media guru takes the veteran’s place. But you have to be extremely careful with where you trim – don’t alienate traditional media.

And don’t ignore your base, either!

An automaker recently unveiled a new car at a glamorous gathering at a major national landmark. With a star-studded cast, the company touted its new product to bloggers, Tweeters and members of the lifestyle media – but only a handful of car-oriented publications were around.

As a result, coverage was less than impressive. The automaker won’t admit it, of course, but a quick perusal of automotive media outlets – magazines (the so-called “buff books”) and even well respected online media sites were practically devoid of any extended coverage beyond simply an announcement with information gleaned from the press release offered by the automaker.

Expanding or reshaping the invite list to include more traditional media and the automaker’s industry base could have significantly changed coverage for the better.

Driving away with media drives: Part 1

Monday, March 28th, 2011

test drive

Putting members of the media behind the wheel of your new car is undeniably the most cost-effective way of getting widespread, unbiased coverage. Over time, your budget might allow for certain selected journalists to have the opportunity to sample your new model for an extended evaluation, but a short term first look is likely going to involve a number of people in one location.

But not leveraging such an event can prove disastrous for everyone involved, since those initial reviews can be the most important ones your car will ever get.

A media drive is a major undertaking, but it doesn’t have to be expensive or burdensome. Let’s first examine the best way to get started.

Place and Time
Picking the location and timing of your media drive is essential. Too many have made the mistake of offering a drive opportunity at the same time as another major event in an entirely different location. Since many outlets are limited in the amount of coverage they can take on at one time, you don’t want to lose potential journalists just because they are attending a new car show on the other side of the country, or they’re at a major vintage event overseas.

Consult any calendar that might apply to your audience – you will be able to find dates that work well for everyone.

With a date selected, your next decision will probably revolve around a location. The most budget-friendly option is to hold your media ride and drive where your audience will already be. With journalists scattered around the country – and across the globe – the only time you’ll find them all in the same place is around a major auto show like SEMA in Las Vegas or the Los Angeles Auto Show. If your intended audience will be in tune with classic cars or enthusiast-oriented events, consider taking advantage of an afternoon during the Monterey week in August or even the Woodward Dream Cruise in Detroit. Or, you could run your snowmobile ride and drive during the Detroit show in January!

If you choose to piggyback and adjacent show or major event, you don’t want to intrude on the event, or else you’ll risk losing essential coverage. As exciting as your product is, journalists are in town first and foremost for the major event, which probably offers lots of exciting news worth covering. That doesn’t mean that they don’t want to drive your car, but you have to be careful with timing. The days leading to and following a major event are prime driving time, but you’ll want to give journalists plenty of notice ahead of time.

Even if you don’t have all of your details carefully arranged, a simple “save the date” e-mail will alert reporters about an upcoming drive. It’s amazing how few major automakers even bother with this small effort, which serves as a convenience for all involved.

Working an embargo to your advantage

Tuesday, March 15th, 2011

boy blog

Supplying members of the media with embargoed information – that is, press releases, photography and video clips that can’t be published until a certain date – can be both an efficient way to get your word out and a method to set the online world abuzz about your news.

Like any tactic, however, embargoes need to be planned carefully in order to maximize their effectiveness. Simply providing media with your information isn’t enough in this era of fast-paced online reporting, where a story can trend from hot to cold in a matter of minutes.

Get the timing right
The reason you set an embargo date for information, even that gleaned at a press event, is because you want to carefully orchestrate its release to complement a product launch. You might want to keep certain information private until you are ready to reveal even more. Or, more commonly, you simply want the upper hand in distributing information.

While you could be planning the embargo solely around when it benefits your internal timetable, you’ll get more traffic if you cater to the media – at least to a certain extent.

Typically, an early morning embargo helps ensure that both print and online media distribute information at about the same time. If you’re looking to spread word any way you can, this works well. But if you want your information to go viral – to make the rounds of the Internet – look for an embargo end more along the lines of early-to-midday for most of the country. Noon Eastern ensures that all four timezones in the continental United States receive the information around their peak viewing time.

But an embargo isn’t useful unless you distribute the information to the media at an appropriate time. Don’t follow the mistakes of many by sending out lengthy press releases and several gigs of photos just a few hours before the embargo breaks. Send out information several days ahead, leaving at least a weekday or two for media to get information up. Remember that many journalists are on the road or in the air, which limits the amount of time they are at their computers ready to download your information. You’re more likely to get coverage if you give media some lead time.

Scratch the media’s back by giving them plenty of notice and they’ll scratch back with plenty of coverage. It’s a two-way street.

Who’s who
An embargo doesn’t work if someone on your list publishes your information too early. Be careful making your embargo list, but don’t exclude someone online just because their site isn’t known for traffic or their newspaper has a low circulation.

These days, it takes just one well-written story to spread like wild fire across the digital spectrum thanks to sharing sources like Digg, Facebook and Twitter.

Don’t discount anyone, but don’t hesitate not to give them a second chance if they’ve treated you poorly in the past.

All the right stuff
Now that you’ve picked your embargo date and have set your list, it is essential that you send out the right information – and not too much of it. Sometimes, simply teasing your product is enough. A few small photos and some light information will start the buzz – but only if your announcement is big enough to merit such.

Generally, sending “too many” photos is a good thing. Outlets can pick and choose, which will make them happier as it limits image overlap. But too much information is often hard to digest, as it is with any non-embargoed release.

As for distributing your information, email is generally the best if you can keep the packet below 500 kb. For anything larger, consider setting up a private FTP or a login-required website.

And don’t forget to mark the expiration of the embargo!

Spotting the trends: Has trend-watching become the trend of the moment?

Wednesday, March 2nd, 2011

cartoon

By the time you read this, it’s already too late.

No, you don’t need to hurry out to try to save the planet from disaster (although you might want to consider recycling a little more and maybe conserving fuel).

We’re talking about trends – what’s trendy at the moment, according to journalists and publications, is probably on its way out. This isn’t a backhanded slap at our friends in the media, it’s simply an acknowledgement about how fast trends move today in this increasingly rapid-paced global economy.

And it’s not just trends themselves, it’s the word trend. Tracking trends is a lifeblood for millions of Americans involved in market research, product planning and, of course, marketing and public relations. But by the time a trend makes its way into the media, you’ve probably already seen examples of it on every corner in the country’s trendiest cities, let alone its sleepiest burbs.

We’ve obsessed over trends forever; from following the fashion styles set by royalty to seeing what’s hot on Twitter or Facebook, consumers the world over are positively trend-manic. With the power of social media and Internet journalism, staying trend-setting is even harder than ever. No trend-leader can emerge long enough to stay on top, so the masses follow whatever works to gain popularity the fastest.

Twitter users can stay on top of what’s trending every minute of every day by checking out the moment’s top tweets, while Google keeps tabs on what people are searching.

This matters to us because we can help manipulate trends, even if their staying power is only for a few minutes. Last fall, Ford simultaneously unveiled its 2011 Ford Explorer SUV at events held in major cities across the country – Los Angeles, San Francisco, Denver, Dallas, Atlanta, Miami, Chicago, Detroit, New York and Washington, D.C.

By inviting some of the most-connected journalists, Tweeters, social media gurus and even the old faithful print scribes, Ford helped make “2011 Ford Explorer” the most-searched term on Google all day. That consumer interest translated into sales just a few months later – the redesigned Explorer has seen demand more than triple over the last few months compared to the outgoing model. While a vastly improved product helped keep the nameplate more relevant to the marketplace as a whole, Ford’s dynamic debut made the Explorer a trendy item months before it officially went on sale.

Perhaps the trendiest trend at the moment is simply watching what’s trendy. It’s people watching in a digital world.

Making sense of the tablet revolution

Monday, February 14th, 2011

tablets

A revolution is underway and you may not even know it. What’s more, you might even be complicit in helping to change status quo.

No, it is not a violent upheaval, but it is changing the way we do business faster than almost any technological boom has ever done and its evolution might never end. It is the arrival and sudden dominance of tablets and e-readers, which are rapidly replacing mobile phones, laptops and desktops as the go-to source for information and entertainment for millions of readers. Inevitably, we, as promoters of a product or a service, must adapt our ways.

Apple’s iPad began the revolution, but Android-powered tablets are gaining ground, as we have discussed before. iPads have been graced by Apple’s magic touch, but the Google-developed Android operating system is available on a wide variety of devices. We cannot predict who will win this battle, but we know who will lose: Computers and mobile phones, not to mention print.

No longer is the tablet simply a fun gadget. Their flexibility makes them computer replacements, especially for those on the go.

Changing ways
This new form of contact with an audience causes us to entirely rethink our interaction. We’re still focusing on .mobi websites optimized for mobile phones, but an increasingly large number of users are jumping ship to tablets.

Transitioning mobile-platform applications and websites to a tablet is the easy solution, but why not take this opportunity to think out of the box for this new type of media distribution?

For starters, the horizontal format and far larger screen offers a wider level of flexibility, although it is still limited compared to a full function computer with a mouse, a keyboard and an advanced processor.

The best way to leverage a tablet depends on what you want to do. The print industry has stumbled to adapt to Apple’s strict policies that limit subscriber information and don’t allow for free access for some and paid access for others. In fact, Apple has just informed a number of European newspapers that paid print subscribers will not be able to have special free access to apps that non-subscribers have to pay for.

Just as everyone was starting to understand what it takes to succeed with a tablet, the rules have been rewritten. That does not mean we should give up.

Further proof – as if you needed it
You might have heard that just this last holiday season, virtual books – e-books – outsold their hard and soft cover counterparts. We’re not quite ready to call physical books “relics” or “vintage” just yet, so don’t expect to sell your paperback collection to finance a new kitchen.

But this transition is obvious proof that consumers are warming up to getting their information from a screen, especially one designed with eye-friendly viewing in mind.

The tablet revolution is on. Now it is time to figure out what to make of it.

Media Center Mishaps

Monday, October 25th, 2010

autoshow-pressroom-350

A media center was once a place for journalists to quickly and conveniently file stories, but that’s hardly the case any longer. Today, media centers are a great place to reach out to media, but doing so requires an entirely different approach than on a show floor or at a private event.

Let’s take a look at what’s different today, as well as ways to work with media both at a major trade show or at your own event.

The Internet has changed everything.

Sure, that might be the single most obvious statement of the 21st century, but an understanding of how the Internet has reshaped the way the media operates is essential for working in or operating a media center at a trade show or large scale event.

Media centers take many different shapes depending on the venue. At large trade shows, several rooms with hard-wired and wireless connectivity could be available to the media, while smaller events might only require a row of computers and a printer. A private event could only require a small area for interviews or the scale of the event might dictate plenty of room for online journalists and bloggers.

Getting to know your audience

Often, brand representatives aren’t allowed in closely-guarded large media centers thanks primarily to poor past behavior. While it is often helpful to have a presence in a media center, it’s important to be an active, but not overly aggressive brand advocate.

Circulating among members of the media helps establish a rapport and, if done properly, a level of trust with those who can become your best asset. Merely distributing product information, whether it is a printed press release or a full-scale flash drive media kit, simply isn’t enough. Developing a comfortable, easy-going relationship with members of the media is crucial.

But the media center isn’t just a place to catch up with old cronies. It’s also a place to meet new faces in an agreeable and friendly setting. It offers a concentrated environment away from the sales floor-like atmosphere inevitable to many trade shows.

Sometimes, a media center will have separate rooms that can be booked for private discussions or interviews. Taking advantage of these venues can often entirely change a member of the media’s perspective by fostering a more in-depth conversation with a key representative, such as a product designer, engineer or executive.

While some journalists are on tight deadlines, many more have the flexibility to immediately publish their content online, making it all the more important to distribute product information and build relationships in a timely and efficient manner.

Your own media center

A different approach is required for private venues where the media is in attendance specifically to learn information about your product, service or event. These events sometimes require a brand representative to be even more proactive by carefully emphasizing the brand to help facilitate greater understanding.

The design of a media center alone can spur additional productivity for all sides. Some events might require a dedicated room with Internet stations, refreshments and at least one full-time product representative available to answer questions. Other events might dictate a casual environment with comfortable spots available for laid-back interviews. It almost goes without saying that wireless Internet access is a nearly universal requirement.

In addition, at larger events, the media center becomes a central gathering point for journalists. Making sure that product or event information is readily available will help further the brand’s cause.

Regardless of the venue, knowing how to properly disseminate information to gathered members of the media, from traditional print outlets to advanced web publishers to bloggers, is the deciding factor for solid event or product coverage.

QR Technology: The Future of the Print Industry

Wednesday, October 20th, 2010

QR tech photo

QR technology will change the way people market in the United States.  The application  is a simple, yet powerful tool that will reinvigorate the traditional print industry by truly integrating collateral materials with digital assets.

In simple terms, QR technology uses 3D bar codes to instantly transport a person from a brochure, billboard, business card or flyer directly to a link on the Internet.  The bar code can be as small as a dime or as large as a billboard.  A person points their smart phone at the bar code using one of several available readers and the phone takes a photo of it.  The phone then opens a browser to go directly to the specific website page.

The link can be as granular as a special offer on a microsite or the front page of a site.  The ad for a concert could include a code to an e-commerce site to buy tickets.  A business card could have a link to the person’s bio online.

Since the digital asset can be rapidly changed, the QR code can stay the same, thus eliminating the problem of printing materials only to see them expire.

In Europe, movie posters and billboards advertise the latest film with a code to buy tickets.  Car dealers post codes for new models, giving customers the opportunity to review and buy their dream vehicle during a product launch.

How will Americans adapt to this new opportunity?  Smart business people will leverage the possibilities.  Print is still alive, given a new lease on life with QR technology.

Can you imagine the possibilities?